*This is the third and final post in our expository series of posts (see Part I and Part II) on the recent paper coauthored by Jake Levinson and myself.*

Last time, we discussed the fact that the operator $\omega$ on certain Young tableaux is actually the monodromy operator of a certain covering map from the real locus of the Schubert curve $S$ to $\mathbb{RP}^1$. Now, we’ll show how our improved algorithm for computing $\omega$ can be used to approach some natural questions about the geometry of the curve $S$. For instance, how many (complex) connected components does $S$ have? What is its genus? Is $S$ a smooth (complex) curve?

In the last post, we discussed an operation $\newcommand{\box}{\square} \omega$ on skew Littlewood-Richardson Young tableaux with one marked inner corner, defined as a commutator of rectification and shuffling. As a continuation, we’ll now discuss where this operator arises in geometry.

Recall from our post on Schubert calculus that we can use Schubert varieties to answer the question:

Given four lines $\ell_1,\ell_2,\ell_3,\ell_4\in \mathbb{C}\mathbb{P}^3$, how many lines intersect all four of these lines in a point?

In a recent and fantastic collaboration between Jake Levinson and myself, we discovered new links between several different geometric and combinatorial constructions. We’ve weaved them together into a beautiful mathematical story, a story filled with drama and intrigue.

So let’s start in the middle.

Those of you who played with little puzzle toys growing up may remember the “15 puzzle”, a $4\times 4$ grid of squares with 15 physical squares and one square missing. A move consisted of sliding a square into the empty square. The French name for this game is “jeu de taquin”, which translates to “the teasing game”.

*This is a continuation of Part 1 of this series of posts on $q$-analogs.*

Another important area in which $q$-analogs come up is in combinatorics. In this context, $q$ is a formal variable, and the $q$-analog is a generating function in $q$, but viewed in a different light than usual generating functions. We think of the $q$-analog of as ``$q$-counting’’ a set of weighted objects, where the weights are given by powers of $q$.

Hi, I’m Maria and I’m a $q$-analog addict. The theory of $q$-analogs is a little-known gem, and in this series of posts I’ll explain why they’re so awesome and addictive!

So what is a $q$-analog? It is one of those rare mathematical terms whose definition doesn’t really capture what it is about, but let’s start with the definition anyway:

**Definition:** A *$q$-analog* of a statement or expression $P$ is a statement or expression $P_q$, depending on $q$, such that setting $q=1$ in $P_q$ results in $P$.

So, for instance, $2q+3q^2$ is a $q$-analog of $5$, because if we plug in $q=1$ we get $5$.